In the hushed atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball requests a mint tea. The dancer's carriage is naturally upright, his limbs defined beneath a simple white T-shirt. On stage, ballet dancers can appear as mighty deities, yet often in person they are small. This is not true for Ball, whose height is part of his popularity for heroic roles and partnering. With fine traits and intense eyes, there's a touch of a brooding actor about him.
A Seamless Rise to the Top
At 31, Ball is experiencing the crest of a career that has progressed smoothly. Growing up in Liverpool, he faced minimal teasing for his early interest in ballet. Joining the esteemed training institution at 11, he graduated directly into the troupe and was promoted each year, attaining the top rank of lead dancer in 2018. He has loved taking on meaty dramatic roles, especially the emotional turmoil found in a famed choreographer's works.
"Your breath is short, your legs get heavy, but it’s really a neural fatigue."
His upcoming featured role is as himself, in an "Evening With" event designed to offer intimate insights into a dancer's art. He will guide the crowd through a part, demonstrating his cognitive workflow during execution. Yet in lighter ballets, the test is significant. "A classic ballet is one of the most demanding technically," he states.
The Mental Game and After the Show Emotions
What about following a performance, when he has pulled it off? "It's pretty good," he says. "But because I'm trying to extract all the emotion out of it, and get immersed in the character, quite often I do feel embarrassed afterwards. After an intense role I'm always thinking: God, what must people think?"
In person, Ball is thoughtful, mild-mannered, and quick to laugh at himself. But a dance maker once observed on a "sense of suffering in him." Does this exist? "I am very active in general, but I do have a dark side," he reveals. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an catalyst for positive change."
Early Motivations and Artistic Inspirations
His tenacity originated in early setbacks. Not doing well in competitions at school made him "vengeful!" This became motivation to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.
An upcoming endeavor is creating his own choreography. For Ball, "there's nothing wrong with." "Challenging the conventions is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing inspiration from books, music, and art.
Close-Up Dance and Personal Dynamic
He additionally is interested in staging dance in smaller spaces. "It was just really exciting," he says of a previous experience. "You’re so close to the audience. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"
Ball has created pieces with his girlfriend, fellow lead dancer Mayara Magri. The level of trust between them is clear. "We tried it out on the beach first," he says of a daring lift. "It was like Dirty Dancing." They aren’t usually matched on stage at their home company, which might be healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s favorite supporter."
Regarding Instagram and Physical Image
On Instagram, fans can see videos from his dance films and photos that highlight a sculpted physique. Does he care that the engagement can be a bit objectifying? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to viewing Michelangelo’s David—an object that can be seen on various ways.
Ball characterizes his early self as "eager for success." Did it lived up to his hopes? "I am conscious of how life is a different reality to the dreams you had as a child," he reflects. He likely has another decade of dancing left. "I suppose in the future, I want to be a bit more gentle with myself."